Instead of the well-I-really-should-be-doing-this-right-now-approach. I find it easier and more fun to work this way – to never stop the creative process. Like, if I’m recording a Stevie Wonder-kind-of-thing variation number 3, and suddenly feel like I have the Ray Charles take on this, I instantly open a new session and record the new idea. I switch a lot from the different songs/sessions I’m working on in the beginning. Then usually a couple of ideas tend to emerge quite early. – I usually start by listening a lot to a playlist of songs. Explain a little about the process of recording one of these packs. You have recorded several titles of MIDI for EZkeys by now. How come you ended up playing the keyboard? When I started playing in bands and such, 14-15 years old there about. I think a turning point, passion-wise, was when I started playing different stuff than the classical piano that my mom wanted me to play. – Pretty early… Perhaps when I started to hammer the upright piano we had at home at the age five or six. When and how did you discover your passion for music?
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